The more I dive into the enjoyment conveyed by some of these fascinatingly "simple" "esthetic objects", the more I think of how enticingly... "cinematic",that is, powerfully dynamic, they are. For example, there is an "orson-wellsian" (distorted, contorted) feel to this one, a sense of "vertige" that sort of "sucks" you into it and makes not only your head but your entire self go round and round with its inner movement!
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(Ir) reality from two points of view.
Our fears.
Our nightmares.
Us?
The more I dive into the enjoyment conveyed by some of these fascinatingly "simple" "esthetic objects", the more I think of how enticingly... "cinematic",that is, powerfully dynamic, they are.
For example, there is an "orson-wellsian" (distorted, contorted) feel to this one, a sense of "vertige" that sort of "sucks" you into it and makes not only your head but your entire self go round and round with its inner movement!
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